May 18, 2010

SET DESIGN for The Arsonists. American premiere at the Odyssey Theatre in Los Angeles. April 3 - May 23, 2010

PRESS:

Photo by Tina Jøhnk Christensen

Los Angeles Times

CRITICS PICK; Theater review: 'The Arsonists' at KOAN at the Odyssey April 15, 2010

”...Among the first-rate design elements, Birgitte Moos’ striking set holds some real surprises.”

Read more at http://latimesblogs.latimes.com/culturemonster/ 2010/04/ theater-review-the arsonists-at-koan-at-the-odyssey-theatre.html

L.A. Weekly Theater Critics. April 8, 2010

”...Set designer Birgitte Moos' beautiful two-level set (1950s-style living room and attic) is ingenious...”

Read more at http://blogs.laweekly.com/stylecouncil/stage-news/stage-raw-the-mystery-plays/#more

BEVERLY PRESS, April 8, 2010

”...super set design co-operation from Birgitte Moos...”

BACKSTAGE. CRITICS PICK: 'The Arsonists'. KOAN at The Odyssey Theatre. 7.4.2010

STAGE AND CINEMA, FIREMEN, SAVE MY WORLD, April 11, 2010

”... the look and feel of a grim East-European film of the 60s, with just the right touch of Keystone Kops madness...”

Read more at http://www.stageandcinema.com/arsonists.html

Campus Circle, May 5, 2010

”The two level set design from the wallpaper to the hanging houses was beautifully developed by Danish set designer and fine artist Birgitte Moos. (I could not expect less from a student of Achim Freyer.)...”

Read more at http://www.campuscircle.com/review.cfm?r=10879&h=-The-Arsonists-Now-May-The-Odyssey-Theatre

A CurtainUp, Los Angeles Review: The Arsonists 8 april, 2010

“Scenic designer Birgitte Moos has layered that second level attic atop a sterile white living room that looks like it might be a generic hotel room. Miniature houses representing the city float in space, and the firefighters scale metal towers to peek in the windows…”

Read more at http://www.curtainup.com/arsonistsla10.html

LA THEATRE REVIEW, April 9, 2010

”The set, by Birgitte Moos... was marvelously evocative...”

Read more at http://www.latheatrereview.com/2010/04/09/the-arsonists-at-the-odyssey/
BITTER LEMONS, April 2010
http://bitter-lemons.com/2010/04/the-arsonists-100-sweet/

Set design for "the Arsonists".         

           Photos by Tina Jøhnk Christensen

May 17, 2010

        TRANSITSTATION.DE at The  Royal Danish Academy of Fine Arts, Schools of Visual Arts at      

   Charlottenborg Castle - Copenhagen. April 17, 2010.    Art in Action.  'Mani-Fest', performance in collaboration with Christian Johansen.

May 16, 2010

Transitstation Copenhagen 2010

May 01, 2010

Winner of Rogue Monk’s T-Shirt Design Competition
http://www.roguemonkworkshop.com/catalog/view/177

April 30, 2010

T-SHIRT  

       PRINT DESIGN

April 12, 2010

April 10, 2010

LosAngelesDowntownArtwalk
Cunt-Fetti. Installation in collaboration with Trine Koester and Tilde Bay Kristoffersen

Optical Allusions Gallery - Los Angeles

ECLECTISM
Exhibition April 10th - May 8th.

2414 West 7th Street, LA, CA

December 08, 2009

OPEN STUDIO, December 5th, 2009. Photos by Tina Jøhnk Christensen

October 17, 2009

ARTIST IN RESIDENCY & LECTURE AT THE WATERMILL CENTER, NEW YORK

Revolutionary Spaces October 27, 2009 - 6:00pm

The Watermill Center

39 Watermill Towd Road
Watermill, New York

Revolutionary Spaces is an exploration of the art of theatrical set design. From challenging gravity to creating a language through non-realistic imagery, Revolutionary Spaces explores the interaction of the audience and the stage. This project questions how and where the viewer experiences recognition and intuitive understanding of the content of a performance as it relates to the environment of the action on the stage. The intent is to channel this exploration into writing a book on the effects of abstract imagery as they apply to set design.

Birgitte Moos is a Danish artist, based in Copenhagen and Los Angeles. Both a conceptual painter and set designer, she holds an MFA from the National Design School of Denmark, where she was often called “the most analytical Danish set designer.” Her work has been shown in various venues and exhibited internationally at numerous galleries. Recently, she designed the set and costumes for Theatre Cantabile2 in Copenhagen and had a solo exhibition at Edgar Varela Fine Arts in Los Angeles.
More information is available at www.birgittemoos.com.
This free workshop : A work-in-progress presentation, is part of the Watermill Center's Fall 2009 Artists-in-Residence program.

October 16, 2009

SET DESIGN FOR THE HAMLETMACHINE

Thesis project for masters degree at Denmarks Designschool

CLICK here to READ PROJECT DESCRIPTION

October 01, 2009

For Citizen LA Magazine – Los Angeles. Review by Birgitte Moos: "Siegfried" at Los Angeles Opera. Directed and designed by Achim Freyer

LA Opera stages the Richard Wagner tetralogy Ring Cycle through 2008/10. The third opera in the cycle, Siegfried, just had its premiere at The Dorothy Chandler Pavilion.

The LA Opera Ring Cycle is conducted by James Conlan, directed and designed by the Berlin based, internationally known Artist, Achim Freyer. Mr. Freyer also does light and costume design in collaboration with Amanda Freyer and Brian Gale.

The Ring Cycle is based on Norse mythology, Icelandic Sagas and the Germanic pre-Christian legend of the Song of the Niebelungs; a heroic epic poem written in german in the 12th century.

The illiterate but fearless hero of The Ring Cycle is Siegfried. A product of nature, as Siegfried’s mother Sieglinde was sent to the woods with a broken sword. She died in childbirth, and Mime raises Siegfried in the forest, in hope to get a powerful ring.

First act opens with light tubes across the stage floor, reminding of a swimming pool. Siegfried sees reflections in the stream, and the mirror effect is futhermore executed by twin figures of the main characters.

The story is visualized by a moving and sometimes tilted revolving stage, as a record player where the story is grooved into, and reflected out in a divine light space, creating three-dimensional effects through projections on fore -and background.

As the drama accumulates, Mime plans to kill Siegfried, but Siegfried fixes the sword, the young hero conquers power with this sword and kills everyone who comes in his way including the dragon Pfafner, and departs for the sleeping Brunhilde.

On the journey to Brunhilde, Siegfried encounters Wotan, the king of the Gods, overcomes climbing the mountain, pervades the magic fire, finally arousing the beauty, Brunhilde, who is told to marry whatever man that awakens her.

The stage design evolves throughout a story where values and moral is defined by, that survival is everything, so the final act consists of integrating multilayered visual expressions, ranging from under -and oversized objects to sophisticated retro 80’es neon art show.

A multimedia performance where variation in speed of movements, superb comic book elements, fairytale symbolic references amplifies into a precise abstract interpretation, staying true to the text.

The vocal performances was penetratingly mind stirring and technically more than straight. Music director James Conlon is evident as the Capitan of the orchestral ship, sounding lovely.

I advise Quentin Tarrantino, Peter Jackson and David Lynch go see it, as the story contain many of the same classic elements of the Hero Myth as Tolkien and makes use of mythic storytelling, and because this performance proves that the screen hasn’t taken over!

The Ring Cycle is ancestral legends, and Achim Freyer hit the tone of the story instinctively, academically and stunningly! Achim Freyer has proved that age doesn’t play any role, when it comes to staying innovative and visionary as an artist.

By Birgitte Moos. A Danish Fine Artist and Stage Designer, student of Achim Freyer at the Berlin University of the Arts, HDK in Berlin.

September 19, 2009

Pershing Square

Autumn Lights -

Los Angeles

Contemporary Art in

the Public Space.

ARTIST STATEMENT: FAKE IT TILL YOU MAKE ITFake it Till You Make It is a visual commentary on contemporary visual art practice and spectator attendance. Produced by using threads to art history and current ‘art trends’. It is a site-specific and politically anarchistic work created for the Autumn Lights exhibition at Pershing Square in Downtown, Los Angeles, September 2009...
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